Table of Contents
Articles
| Foreword | PDF HTML |
| Lindsay Smith |
| The Eye, the Brain, the Screen – What Neuroscience Can Teach Film Theory | PDF HTML |
| Paul Elliott |
| Hard bodies and sidelong looks: Spectacle and fetish in 1980s action cinema | PDF HTML |
| Nicky Falkof |
| Through the Arendtian Lens: Developing Statelessness through Gregor Schneider's 'Weisse Folter' | PDF HTML |
| Suzy K. Freake |
| Waking Life: The Destiny of Cinema’s Dreamscape; or the Question of Old and New Mediations | PDF HTML |
| Markos Hadjioannou |
| The Embodied Spectator and the Uncomfortable Experience of Watching Romance and The Piano Teacher | PDF HTML |
| Sara Elisabeth Sellevold Orning |
| Invoking The Spectral Body: A Study of Potential Corporealities in the Work of Marina Abramovic and Francesca Woodman | PDF HTML |
| Prema Purigali Prabhakar |
| The Problem of Film Theatre Intermediality in Jesus of Montreal | PDF HTML |
| Laura Sava |
| Writing the world: photographing the text of the landscape | PDF HTML |
| Gina Wall |
Reviews
| 41st Annual Northeast Modern Language Association Convention: Montréal, Québec, April 8-11, 2010 | PDF HTML |
| Ruth Charnock |
| The Time That Remains | PDF HTML |
| Martin Paul Eve |
| Conference Review: Empirical approaches to Performance: Empirical Musicology II conference (25-26 March 2010, School of Music, University of Leeds, UK) | PDF HTML |
| Anna Jordanous |
| (re) Performing the Posthuman: a conference on performance arts and posthumanism, University of Sussex, 21st-22nd May 2010 | PDF HTML |
| Liz Sage |
| Going with the Flow | PDF HTML |
| Erika Szostak |
This work is licensed under a Creative Commons Attribution 3.0 License.
ISSN: 2044-4095